Softube Console 1 Firmware update

Change log for 2.5.24 (Released on December 14th, 2021)

Console 1

Completely new design of the On-Screen Display!

Console 1 Fader

  • New Fader firmware with the following changes: Added another calibration run to increase the fader precision. This also mitigates an issue where certain faders could get “jittery”. DAW meter data is filtered to remove unnecessary noise.Added Load Drive functionality to Console 1 (Shift + Track selector 6).
  • Added the possibility to load a strip with filters-only by pressing Shift while loading a strip.
  • Making it possible to adjust Width control from Console 1 (Shift + Input Gain)On-Screen Display settings are now saved in a more controlled manner. Adding “save current position as default” option.
  • Track Colors now supported in DAW:s with DAW control support.
  • Temporary fader modes (Sends, Input Gain, High Cut and Low Cut) in Console 1 Fader can now become persistent by Shift-clicking them.
  • Fixed an issue which would cause the On-Screen Display to hang if you disabled all view modes.
  • Fixed an issue which would cause Console 1 Fader LED:s and On-Screen Display output meter to become stuck when going to Layer mode in Cubase Pro.
  • Changed Auto On to behave the same in Normal Mode and Layer Mode.
  • Adding font support for special characters (Cyrillic, Japanese, etc.).
  • Solved an issue in Console 1 Fader that could result in a crash of On-Screen Display while rearranging layers.
  • Fixed a rare issue causing the wrong controller type (Mk 1 vs. Mk 2) to be detected when Console 1 hardware is connected after the DAW has already started.
  • Fixed an issue preventing the Change Order logic for Console 1 Fader to not work properly.
  • Made it visible in the On-Screen Display which compressors and shape units that do not support External Sidechain. Requires updating of the units.
  • Decreased memory usage.
  • Fixed an issue where parameter values from DAW was not read back to Console 1 when in Group/All/Layer modes.
  • Changed how Volume and Input Gain scales in non-DAW Control mode.
  • Added knob modes (Accelerated, etc.) for DAW Control knobs.
  • Fixed an issue where gain values from DAW got rounded off.
  • Made DAW Control volume knobs (Volume, Send Levels) scale almost the same as C1 internal volume controls.
  • Fixed an issue causing the On-Screen Display to consume CPU even when it was closed.
  • Adding Show/Hide option to On-Screen Display application menu.
  • Fixed wrong initial value for Weiss Gambit Series Compressor Threshold.
  • Improved precision of Console 1 knobs in “Accelerated Smooth” (default) mode.
  • Added support for the following UAD plugins for Console 1:
  • UA 175
  • UA 176
  • SSL E Channel
  • Tube-Tech CL 1B mk II
  • Century Strip
  • Avalon VT-737
  • API 2500
November 1, 2020

Introducing the ESI U22 Ultimate Bundle

No matter if you’re into podcasting, want to record vocals, or if you need a starting point for a professional quality music studio in your home, the UX22 Ultimate bundle is exceptional value for money providing an ideal foundation on which to build your personal home studio at a minimal cost.

October 20, 2020

Waves Audio Plug-ins Updated to V12

Waves Audio has just released an impressive update to their entire suite of plug-ins, most notably, featuring resizable GUIs, improved Preset Browsing with search functions, better display on MacOS Retina capable systems and more.

September 26, 2020

Everything’s Gone Green

This week, Sound And Music took a big step forward and became 100% Carbon-Neutral with the installation of an array of 70 solar panels on the roof of our warehouse facility in Moorabbin.

August 10, 2020

August Burns Red and the V PACK ARENA

If you’re a fan of Metalcore, August Burns Red is as good as it gets! And from Lancaster, Pennsylvania, of all places! Their drummer, Matt Greiner – who is a founding member of the band – used the sE V PACK ARENA drum mic kit to create a killer demonstration of his beats and techniques on their 2007 single, “Composure.”

The song is from their second album, Messengers, released in 2007. Throughout the piece, Matt displays intensely complex and impressively compositional drum patterns. It’s hard to imagine how he keeps it all in his brain, nevermind nailing the clearly taxing physical execution of it.

As the camera angles switch, we can see the V7 X on Matt’s snare, a pair of sE8 small-diaphragm condensers as overheads, and V BEAT mics on each of the toms. The camera doesn’t cut to the V KICK – presumably because of the inevitable mess of cables that goes along with miking drums – but we can definitely hear it! Christopher Pollock, the band’s audio engineer, did a great job tracking and mixing these drum sounds!
 
Check out the latest August Burns Red album, Guardians, out now on Fearless Records!

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