WORDS BY GREG LONG
Sound and Music | Price: $269.99
When I was approached to review the Nektar Impact LX Mini, I’m not going to lie, I was like, meh. Yet another backpack keyboard controller. At the risk of sounding cynical, I was thinking, “Let me guess, you can play drum pads, some transport controls, and the ability to launch clips in Ableton!” So, with some considerable surprise, I’m now looking to retire a couple of said keyboard controllers and embrace the new kid on the block. The question I’m sure you’re all asking is “why?” So, let’s dig deep and see what the Impact LX Mini offers.
Nektar is an American-based company with a unique go-to-market strategy. From their website, Nektar’s aim is to, “Bridge the gap between powerful music software and controller hardware”. Don’t expect a host of software instruments and plugins that often shift with similar products. In addition to the keyboard controller and a driver installer, the only other inclusion is an eight-channel version of Bitwig Studio. The Nektar Impact LX Mini is a class-compliant USB device but if you are looking to use it with Ableton Live, the driver is required for both Windows and Mac OS X. In my testing, I used an M1 Mac and Ableton Live Suite 11, but support is provided for all of the major DAW players. (I’m very interested to check out the Avid Pro Tools integration but at the time of writing, am yet to do so).
Set up is relatively simple and the documentation is clear and concise. I tried to jump straight in, but didn’t get far. You definitely need to reference and read through and follow through the documents. It’s pretty simple so don’t worry too much. A Max for Live device offers further control functionality, but this is only compatible with Ableton Suite 11 with Max for Live installed. For full compatibility, check the product site.
One strange and glaring omission in Ableton Live, and by extension Push, is dedicated fast forward and rewind buttons. For most uses this isn’t an issue, however, if you are editing a long looping section with more than one clip selected, you have to listen to the entire loop from start to finish, even if you’re just tweaking notes at the end of the loop. There’s no way of fast forwarding or rewinding without using the mouse to click into the interface and doing so will deselect the clips in the process. This may seem small, but it has been a constant frustration of many for a long time. This, paired with FFW and REW buttons, makes the unit very attractive. On the topic of looping, the Impact LX Mini allows you to set start and end points and turn looping mode on and off, all without needing to touch the mouse.
All of this barely scratches the surface of the functionality of Nektar Impact LX Mini. There is so much more on offer. The actual keys have secondary functions that can be accessed by holding one of the Part Two buttons. Doing so can change MIDI channels, layer an octave on top, or below, shift octaves up and down. The price is a little over $250 so it offers excellent value and adds significant workflow improvements. So, if you are in the market for a pint-sized powerhouse, it’s well worth a look.
